ROCK UP! with Ratts & Arnie Podcast (15 Sept 2022)

ROCK UP! with Ratts & Arnie. EPISODE 90 Thursday 15 September 2022 Featuring the interview with the incredible, and sublimely talented young Melbourne artist Joshua Batten 100% Australian music – Supporting Indie artists & OZ music legends. If you missed the show, never fear, you can listen back, or download here. ROCK UP! is on air 4-6 PM every Thursday on

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WRITE NOW

WRITE NOW – tonight 15/9/22 – Garry; then Ann Cleeves will talk about her latest Vera novel: The Rising Tide; plus more. Please join me, Gaytana  ALSO the AMA Vic is asking us to wear a mask to protect ourselves & OTHERS from COVID.  Looking out for each other -that’s what community does. G

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Asthma stigma a barrier to treatment

1 in 9 Australians live with asthma. Despite its ubiquity, more than a quarter of asthma sufferers say they feel uncomfortable using their puffer in public and half feel their workplace does not view asthma as a valid reason to take sick leave or are unsure. Asthma Australia General Manager Nigel Cooper spoke with Hear and There presenter Nathan Reynolds

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BEST MEDICINE

BEST MEDICINE – today 13/9/22 – Men’s health with Alan White; plus more. Please join me, Gaytana   ALSO: the AMA Vic is asking us to wear a mask to protect ourselves and OTHERS from COVID. Looking out for each other – that’s what community does. G

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Film review: ‘3,000 YEARS OF LONGING’ by Nick Gardener from ‘Built For Speed’

Despite being directed by the revered George Miller, containing some inspired and quite startling moments and starring two of Hollywood’s most respected actors, Tilda Swinton and Idris Elba, the oddball romantic fantasy and storytelling tribute, 3,000 Years Of Longing doesn’t entirely work.  The title sounds like a Gabriel Garcia Marquez novel but George Miller and Augusta Gore wrote the film’s

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Film review: ‘ORPHAN: FIRST KILL’ by Nick Gardener from ‘Built For Speed’

The charmingly named Orphan: First Kill is the prequel to the reasonably tense and creepy 2009 psycho-child slasher flick, Orphan. Like that film, this one effectively plays on the unnerving juxtaposition of the central fiend’s sweet-looking, child-like appearance and brutal, murderous tendencies. The film reacquaints us with the diabolical orphan Esther (Isabelle Fuhrmann) who, as the first film revealed and

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