You can kick off hump day with our All Aussie Overnight Selction prior to 7am when Al Parkinson will get you all geared up for Hump Day with her mighty tasty selection of tunes on her program “Yeah Good Thanks” taking you through till 9am. Petar Tolich and “The Music Director Show” hit’s up the airwaves with all the latest in new
Read moreSECA-land is getting ready for the penultimate home and away game and there is much to do. There is also much to discuss and the panel were on the job on Sunday morning discussing the various permutations and possibilities. Missed it? Well you can hear the shennanigans right here, just click on the play button……….or not!! Le Page Park’s
Read moreListen again to one hour of Christian music from “Songs of Hope”. This was broadcast on Sunday 2 February 2014 on Southern FM 88.3 in Melbourne Australia. Features include an “Aussie Legends” segment half way through, in which Vic Campbell talks about singer Steve Apirana, and a short talk on a “Christian who made a difference”, Michael Cassidy at the
Read moreThe Sunday 2 February 2014 hymns podcast from Songs of Hope radio program is available below. Hymns include: O worship the king – Hymn Classics Vol 2 Tell out my soul – Keswick Come down O love divine – Trinity College Choir Melbourne Click the play button for the audio or download. Play time is 9 minutes Songs of Hope
Read moreBuilt For Speed – Playlist – Friday 31st January 2014 LONG HOLIDAY– Insane. (Aus) KINGS OF LEON – Supersoaker. SUEDE – Hit Me. JEREMY NEALE – A lover affair to keep you there. (Aus) BARRENCE WHITFIELD AND THE SAVAGES – The Corner Man. PHARRELL WILLIAMS – Happy. CURTIS STIGGERS & THE FOREST RANGERS – This life. FEFE – Cause Toujours.
Read moreThe first two instalments in the Paranormal Activity horror movie series created a genuine sense of terror by subtlety placing intensifying supernatural events in a believable everyday setting. The story of an average person being targeted by an evil force recalled the demonic threat of The Exorcist while the home-movie found-footage aesthetic gave the films a disturbing verisimilitude. Subsequent instalments
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