I had never heard of Australian artist David Bromley but apparently he’s hugely successful and according to the documentary, Bromley: Light After Dark, his work is ubiquitous in upper middle-class homes. This mostly uplifting documentary examines his work and the aspects of his life, like family, that he cherishes and that have sustained him in his battles with mental illness.
Read moreThe dystopian sci-fi film series, The Hunger Games was hugely successful and a cultural touchstone for many young cinema goers (but not so much this reviewer). Through those films, Jennifer Lawrence established herself as a major star playing heroine, Katniss Everdeen who, in a post-apocalyptic future, competed in the eponymous televised teen gladiator death matches and battled the fictional nation
Read moreFor better or worse, documentary My Name is Alfred Hitchcock is not so much about the man and his personal history but the master of suspense’s filmmaking approach. To delve into this topic, Director Mark Cousins has made the slightly unusual decision to have British actor and impressionist Alistair McGowan impersonate Hitch as narrator. This is a little distracting at
Read moreAustralian cinema isn’t renowned for its science fiction films although Mad Max and Upgrade fans might disagree. Seemingly influenced by the likes of TV show Black Mirror, the latest Aussie sci fi film, Monolith makes for a topical and inventive, if limited, addition to the genre. Monolith is as much a psychological mystery thriller as a sci fi film as
Read moreMartin Scorsese has largely built his reputation and ravenous following as a filmmaker on contemporary stories of misfits seeking redemption and Italian American gangsters. Frequently, though, he’s stepped away from that milieu to explore historical subjects and biopics in films like The Age of Innocence, Gangs of New York and The Aviator. He hasn’t ventured into the western genre but
Read moreMusic doco, Mutiny in Heaven, which is directed by Ian White (Before the Fall) traces the tumultuous life of groundbreaking Melbourne band The Birthday Party, the film’s title coming from one of their songs. The iconic band featured Nick Cave at his most musically and visually punk and experimental and his most self-destructive; multi-instrumentalist and song writer Mick Harvey; bassist
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