Built for Speed – 28th July 2017 The Arcade Fire – Wake up. The Smiths – There is a Light that Never Goes Out Billy Bragg – Great Leap Forward Jona Lewie – You’ll Always Find Me in the Kitchen at Parties Mick Jagger – Gotta Get a Grip Green Day – Revolution Radio Ryan Adams – Prisoner Father John Misty
Read moreBuilt for Speed – 4th August 2017 SUPERGRASS – Richard 3rd. GRANT HART – You’re the reflection of the moon on the water. BOB MOULD – Hey Mr Grey. HUSKER DU – First of the last calls. SUPERSUCKERS – Born with a tail MIDNIGHT OIL – When the general’s talk. (Aus) ACE FREHLEY – Back in the New York groove.
Read moreBuilt for Speed – 11th August 2017 MIA DYSON – Idyllwild. (Aus) FRANK ZAPPA- Trouble everyday. BABAGANOUJ – Awhile. (Aus) PAUL KELLY – Firewood and Candles. (Aus) DMA’S – Play it out. (Aus) THE POWDERMONKEYS- Persecution blues. (Aus) THE MURLOCS – Adolescence. (Aus) APES – Pull the trigger. UMPIRE – Streamers. (Aus) GOLDENHORSE – Run, run, run. THE PAINKILLERS –
Read moreThis week ‘Built For Speed’ joins Steve Coogan and Rob Brydon on another culinary journey as we review ‘The Trip to Spain’. On a slightly different note we take a look at Doug Liman’s latest film, Iraq war drama ‘The Wall’. Once again we have a feast of great music with new Aussie tracks, indie rock favourites from the early 2000’s,
Read moreWith amusing insights into pre-teen neurosis reminiscent of the Peanuts comics, the Diary of a Wimpy Kid films, which are based on the hit Jeff Kinney books, have been a refreshing addition to the kid/ family film landscape. They have, however, provided diminishing returns with the standard declining after the very funny first film. That slide continues with the latest
Read moreRecently, Guy Ritchie’s King Arthur: Legend of the Sword sinfully injected the over-the-top style of a Michael Bay film into the Arthurian myth. Now, Transformers: The Last Knight inserts pieces of the Arthurian legend into a Transformers film. What on earth did poor old King Arthur do to deserve such a fate? Admittedly, the film’s opening sequence in which Arthur
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