Film review: JERSEY BOYS, from Built For Speed

Clint Eastwood probably wouldn’t be the first director to come to mind when thinking of someone to adapt to the big screen the hit stage musical about Frankie Valli and the Four Seasons, Jersey Boys.  Then again, few would have expected him to make a film about the South African rugby team as he did with Invictus.

Like any director, Eastwood was faced with the fact that adapting a stage musical to the screen is a trickier proposition these days than in the 1950’s golden age. Contemporary cinema audiences are more cynical and less willing to surrender to an all-singing, all-dancing fantasy world than they were back then. Jersey Boys is a slightly different proposition though, it tells a true story, it’s about a musical act so the songs form a natural part of the narrative and it takes place against a threatening backdrop of New Jersey organised crime.

The film takes us from the group’s formation in the 1950’s where a teenage Frankie Valli and mob-connected Tommy de Vito first started playing nightclubs, through to their often traumatic ascent to pop superstardom, their run-ins with the mob, the group’s bitter demise and their later rapprochement.

Eastwood is a fine story-teller and in his usual no-frills fashion he depicts the Four Season’s story with clarity and well-judged humour.  Eastwood’s films can at times coast along in a non-descript manner, however, and this film occasionally lacks the thrilling energy we might expect from a rock biopic.

Also, the straight dramatic elements of this film don’t entirely work. Valli’s personal life and troubled marriage aren’t particularly interesting and seem to have been scripted straight from the Hollywood book of rock biopic clichés with every domestic blow-up with wife Mary (Renee Marino) rendered in shrill, alcohol-drenched tones.   A sub-plot about Valli’s wayward daughter Angela (Lacey Hannan) should have provided a tragic undercurrent to the film but it just seems tacked on. 

Like the stage production, though, this film has the not-so-secret weapon of the Four Season’s sensational genre-shattering songs such as “Walk like a Man”, “Sherry” and “Can’t Take My Eyes Off You” which are performed with a verve the rest of the film often lacks.

Cast performances are mostly solid but Vincent Piazza is the stand-out as the volatile mob-connected founder and guitarist, Tommy de Vito.  He provides a palpable sense of menace throughout the film and suggests what Jersey Boys might have been like had someone like Martin Scorsese been at the helm.  By contrast Christopher Walken, as local mob Godfather Gyp de Carlo, is a too benign and more like Frankie’s favourite uncle.  John Lloyd Young who appeared in the stage production is serviceable as Frankie but is too easily overshadowed by Piazza.  Oddly, we learn little about the personal lives of Bob Gaudio (Eric Berghen) or bass player Nick Massi (Michael Lomenda) even though each character has a chance to tell their side of the story, often direct to camera. 

This isn’t a perfect adaptation of the stage musical but it contains enough uplifting moments and terrific songs to please just about any audience.

Nick’s rating: ***1/2.

Genre: Musical/ biopic.

Classification: M.

Director(s): Clint Eastwood.

Release date: 3rd July 2014

Running time: 134 mins.

Reviewer: Nick Gardener can be heard on “Built For Speed” every Friday night from 8-10pm right here on 88.3 Southern FM.  Nick can also be heard on “The Good, The Bad, The Ugly Film Show” podcast. http://subcultureentertainment.com/2014/02/the-good-the-bad-the-ugly-film-show 

What’s on Built For Speed, Friday 4th July 2014

This week on Built For Speed we take a look at the big screen adaptation of hit stage musical Jersey Boys, a film directed by Clint Eastwood which recounts the career of Frankie Valli and the Four Seasons.  Also, just in time for the school holidays we have a look at the latest IMAX documentary Penguins 3D.  We also can’t ignore the fact that it’s July 4th and we have a special selection of distinctively American tracks to play as well as great Australian music.  Don’t forget our regular preview of upcoming gigs and TV for the week.  Check out Built For Speed, Friday 8-10pm on 88.3 Southern FM.

Film review: TROUBLE WITH THE CURVE, from Built For Speed

Baseball films have a unique place within the sports film genre as they seem to embody American culture and mythology like no other. Even for those who don’t like the sport itself, baseball films seem to have at least some sort of folksy appeal.

So it is with Clint Eastwood’s latest film (this time just as an actor) Trouble with the Curve.  This is a lightweight mix of baseball film, family drama and ageing parable that drifts along at what could charitably be described as a pedestrian pace.  It’s not exactly electrifying or even an edge of the seat, do or die sports film but it still pulls you into its laid back world.

In this film Clint plays pretty much the same character he’s been portraying for a decade now, the cantankerous widower who has an iconic, leathery, old school American job such as a boxing trainer, marine or in this film, a baseball scout named Gus.  As in all his recent films, the irascible Clint belligerently defies any cultural or technological changes that have occurred in America since 1958, much to the annoyance of his family.   His already fractious relationship with his daughter Mickey (Amy Adams) is put to the test when she discovers Gus’s eyesight is failing and despite the pressures of her job as a lawyer, Mickey insists on accompanying him on his latest scouting tour.

The script here is pretty predictable and sign posts most of the key scenes well in advance.  We know within about five minutes who’s going to triumph and which obnoxious gits are going to get their comeuppance.   Still, it’s fun watching Clint bicker with Adams, sneer at oily yuppies who want to replace him with a computer and generally plays the grizzled but wily old curmudgeon to the hilt.

A strong supporting cast also help add credibility to a fairly insubstantial story. Amy Adams lights up the screen with her usual sparkling performance even if the sub-plot about her love interest with a young baseball scout (Justin Timberlake) lacks fizz.  John Goodman is likeable as always playing Eastwood’s loyal buddy.  Matthew Lillard, the man who has played perhaps most obnoxious characters in cinema (just re-watch Scream and Hackers and you’ll know what I mean), is kind of obvious as the resident weasel but it’s good to see Clint growl at him contemptuously.

With its familiar storyline and characters this is a likeable film rather than a challenging or riveting one.

 

Nick’s rating: Three stars.

Classification: M

Director(s): Robert Lorenz

Release date: 6th Dec 2012

Running time:  111 mins.