Like a slightly less grim Michael Haneke film, Romanian drama Graduation is a story of moral crisis told in a raw and understated manner. The film centres around 50-something surgeon Romeo (Adrian Titieni) who, despite his prestigious career, lives in a grim-looking housing estate in Transylvania with his wife Magda (Lia Bugnar) – from whom he sleeps separately – and
Read moreBased on the Daphne Du Maurier novel, My Cousin Rachel is a period melodrama with a touch of Hitchcockian mystery. While well-performed by an impressive cast that includes Sam Claflin and Rachel Weisz, the film’s minimalist plot, leisurely pacing and odd tonal shifts make it a slightly unsatisfying experience. Sam Claflin plays young English country gent Phillip Ashley who, since
Read moreThe latest incarnation of The Mummy is thankfully not connected to the horror-comic series that featured Brendan Fraser. Instead, this is the first offering from the so-called Dark Universe franchise, a proposed film series in which classic monsters such as The Mummy, Dr Jekyll and Mr Hyde, the Invisible Man and Frankenstein’s monster are repackaged for a modern action cinema
Read morePrior to seeing the new Wonder Woman film there was hope it would provide something different from the typical po-faced tedium of DC adaptations like last year’s awful snoozer Batman vs Superman. Wonder Woman does offer something a little different and in many ways it succeeds although a little it too often succumbs to superhero movie formula. The film does
Read morePirates of the Caribbean: Dead Men Tell No Tales is yet another lumbering, plotless farce in what has to be one of the most undeservedly successful franchises in cinema history – first film excepted. These Pirate films should be rollicking campy adventures but they’re so waterlogged with cgi and so incoherently plotted that they lack both sense and charm. Also,
Read moreDirector Edgar Wright built his reputation on genre parodies, such as zombie spoof Shaun of the Dead, that were often funny and cartoonishly violent and which cleverly sent up the distinctively odd behaviours of that species known as the English male. His latest film, Baby Driver is neither a pastiche (despite recalling other films) nor is it an English lad
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