Film review: ‘DUMB MONEY’ by Nick Gardener from ‘Built For Speed’

Through films like Air, Blackberry and now Dumb Money, an intriguing sub-genre has recently emerged in cinema: the maverick entrepreneur capitalist film. Through their depiction of quirky yet highly driven individuals, these movies both critique and celebrate the American obsession with the market and the pursuit of business success. The latest addition to this sub-genre, the fascinating, funny, cheekily inspiring,

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Film review: ‘KILLERS OF THE FLOWER MOON’ by Nick Gardener from ‘Built For Speed’

Martin Scorsese has largely built his reputation and ravenous following as a filmmaker on contemporary stories of misfits seeking redemption and Italian American gangsters.  Frequently, though, he’s stepped away from that milieu to explore historical subjects and biopics in films like The Age of Innocence, Gangs of New York and The Aviator.  He hasn’t ventured into the western genre but

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Film review: ‘MUTINY IN HEAVEN: THE BIRTHDAY PARTY’ by Nick Gardener from ‘Built For Speed’

Music doco, Mutiny in Heaven, which is directed by Ian White (Before the Fall) traces the tumultuous life of groundbreaking Melbourne band The Birthday Party, the film’s title coming from one of their songs. The iconic band featured Nick Cave at his most musically and visually punk and experimental and his most self-destructive; multi-instrumentalist and song writer Mick Harvey; bassist

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Film review: ‘THE EXORCIST: BELIEVER’, by Nick Gardener from ‘Built For Speed’

William Friedkin’s 1973 cinema adaptation of William Peter Blatty’s novel The Exorcist was one of the film events of the decade. Disturbingly powerful and superbly crafted, it chilled cinemagoers like no film before while surprisingly sparking huge interest in Mike Oldfields ‘Tubular bells’ which was used on the soundtrack. Even half a century later that film has lost little of

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Film review: ‘SHAYDA’ by Nick Gardener from ‘Built For Speed’

Shayda, which was the opening night feature at this year’s MIFF, is a semi-autobiographical film based on the childhood experiences of its writer/ director Noora Niasari. Set in 1995 in the Dandenong area, the film depicts an Iranian-Australian woman, Shayda’s (Zar Amir Ebrahimi) escape from abuse at the hands of her husband, Hossein (Osamah Sami).  Having taken her daughter Mona

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