Yes, it’s another Scream film, the latest in the satirical slasher series that began in 1996. Is it just a cynical cash in on 90’s nostalgia, the latest attempt to milk a few bucks from franchise-loyal fans or a legitimate horror/ comedy with an least a spark of life left in it. We might ask ourselves these questions but the
Read moreA religious parable, a critique of a society poisoned by chatroom conspiracy theories, an endorsement of conspiracy theories or simply a loopy shaggy dog story, the meaning of M. Night Shyamalan’s latest film A Knock at the Cabin is a little too fuzzy and while some of the journey is worth it, its half-baked story makes for an often-irritating experience.
Read moreWhile it doesn’t always hit the mark, in its best moments the jet-black culinary comedy The Menu cleverly (and violently) skewers foodie pretention, the cult of celebrity chefs, the loss of artistic credibility and America’s unspoken class system. There are familiar flavours here with dashes of Agatha Christie, Alfred Hitchcock, Michael Haneke, disturbing dinner party dramas like Luis Bunuel’s The
Read moreThe 2018 Halloween reboot tapped into horror fans’ ravenous nostalgia for the original 1978 film while delivering a strong storyline that gave the franchise a credible place in today’s world. That film’s unadorned visual style made the scares more convincing and effective while interestingly exploring the traumatic impact of knife-wielding murderer Michael Myers on heroine Laurie Strode (Jamie Lee Curtis).
Read moreWriter/director Jordan Peele’s intriguingly off-kilter, socially conscious, genre-splicing horror films, Get Out and Us have been some of Hollywood’s more interesting offerings of recent years. They weren’t for everyone, though, as the plots of those films, especially Us, were a little murky and at times made us feel we were watching a jumble of ideas rather than a coherent story.
Read moreSteadily emerging as one of the most interesting contemporary filmmakers, Alex Garland, who intrigued and unnerved us with his AI thriller Ex Machina, brings us his creepiest film yet, the oddball horror misogyny parable, Men. As anyone who has seen the evil, shiny, puppet-like face in the promo will realise, there’s something decidedly sinister at work in this film. Here,
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