Film review: DARKEST HOUR, by Nick Gardener from ‘Built For Speed’

Darkest Hour, the latest film for Atonement director Joe Wright is the second Winston Churchill biopic and the third Dunkirk-related film in the last 12 months. This film focuses on Churchill’s tumultuous appointment as Prime Minister, his struggle with his war cabinet and his personal demons in deciding Britain’s course as Europe succumbs to Hitler. Gary oldman, who looks as

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What’s on ‘Built For Speed’, Friday 16th February 2018

This week on ‘Built For Speed’ we take a look at the latest Marvel cinema adaptation, ‘Black Panther’.  We’ll also tell you all about Oscar hopeful ‘Ladybird’, which marks the directorial debut for Greta Gerwig.  CJ and Dr Nick will deliver a full wrap-up of the Father John Misty gig from last Friday at the Forum.  We’ll play some Father

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Film review: THE POST, by Nick Gardener from ‘Built For Speed’

Steven Spielberg’s The Post is part of that cinematic sub-genre, the investigative journalism film, an auspicious club that contains Spotlight, Zodiac and at its pinnacle, Alan J Pakula’s Watergate classic, All The Presidents Men. The Post almost seems like an attempt at a prequel to that film as it details the explosive story of the Washington Post’s quest in 1971

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What’s on ‘Built For Speed’, Friday 2nd February 2018

This week on ‘Built For Speed’ we continue our look at the big Oscar hopefuls as we review Paul Thomas Anderson’s latest film ‘Phantom Thread’.  We’ll also remind you of what we thought of recent cinema releases in our movie rap.  There’ll plenty of great tunes as we play favourites of the 21st century so far.  Don’t forget our regular

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Film review: I, TONYA by Nick Gardener from ‘Built For Speed’

Ostensibly a biopic of notorious former Olympic figure skater Tonya Harding, I, Tonya is a sharp if at times overly quirky satire on the perverse culture of American celebrity as well as a disturbing expose of what, according the film, was a life of tragic abuse. In an already lauded performance Margot Robbie plays Harding as an emotionally damaged self-confessed

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